‘Ingrained in My Consciousness’: Why Gremlins 2: The New Batch Is My Go-To Movie

“Well, it’s rather brutal here. Our recommendation is all of our clients to commit their entire holdings into canned food and shotguns.” That bit of wise counsel comes from the Brain Gremlin – a scientifically altered, speaking, glasses-wearing member of the slimy Gremlin horde that overruns Manhattan’s ultra-modern Clamp Tower skyscraper in filmmaker Joe Dante’s zany follow-up Gremlins 2: The New Batch. On the surface, it’s merely an financial suggestion from one monster to another. However, curiously, it’s also pretty solid existential counsel. Honestly, hear me out.

When life takes a turn for the worse, the worst thing you can do is view events with undue solemnity. The Brain Gremlin comprehends this. Indeed, most of the fang-bearing creatures that populate Dante’s wild 1990 film (arguably his best) possess the same knowing, self-referential sense of humour regarding the hazy boundary separating the mundane and pure pandemonium. It’s a particular aspect of Gremlins 2: The New Batch that keeps me coming back – and the older I get, it’s the theme that echoes the loudest.

An Early Life Fixation

Naturally, my connection with this movie didn’t start on such an philosophical plane. As a child, we were limited to a few scratched-up video tapes at home. Among them were Gremlins and its second chapter, the latter housed in a chunky ex-rental box likely purchased from an non-chain rental store and boasting growling monsters on its knackered cover. I was right away smitten and these films quickly proceeded embedding themselves inside my young, susceptible psyche. Henceforth, they became an near-everyday part of my childhood viewing routine.

Dante’s initial installment typically gets all the praise, thanks primarily due to its reputation as a semi-scary seasonal fave – and don’t get me wrong, I’ve watched Gremlins more times than I can count. Nevertheless, its sequel seldom receives the same level of lofty appreciation, which feels criminal. As a kid, I’d never miss an opportunity to watch Gremlins 2. During bright summer vacations, I’d retreat into the house and play it. When I acquired my personal TV-VHS combo unit, it stayed in constant rotation in my bedroom. Gradually, it became deeply rooted in my psyche. If my parents detected this preoccupation, they appeared unbothered.

Deeper Rewards and Societal Nuggets

As I got older, new revelations enriched frequent screenings, heightening the enjoyment of watching diminutive verdant beasts joyously wreck a New York high-rise. I learned the ahead-of-its-time real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on future president Donald Trump, with his red-headed employee Marla (Haviland Morris) echoing his former spouse Marla Maples. Fortunately, Clamp possesses greater compassion than his real-life counterpart.

The “doomsday” video Clamp plays during maximum monster mayhem? I discovered it was based on a real-life “Doomsday” video produced by the CNN boss Ted Turner should the world actually met its demise. I noticed how Dante took extra pains to film alternate cuts of a meta sequence where Gremlins hijack the very film you’re watching. A version for theaters, one for VHS and TV, each providing a grinning portion of meta pop-culture magic ahead of its time.

A Persistent Legacy

While it was creature designer Rick Baker’s wonderfully grotesque creatures that caught my eye as a child, this deeper gold kept me hooked as an adult. Eventually, I even conversed with Dante about it myself and he had no reservations informing me he made the movie with the specific aim of ridiculing those who loved its silly-yet-sincere predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he happily revealed. This cartoonish insubordination and resolve to not take his sequel as solemnly as his Warner Bros bosses clearly wanted him to, only increased my affection for it.

When I went through a sudden family bereavement earlier this year, I was taken aback to discover that, during my deepest grief, all I wanted to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Possibly not. The comforting familiarity it furnished was necessary to thin out my mind’s mourning mire – but the perspectives it had bestowed upon me as an adult were equally valuable.

Like Gremlins tearing apart a genetics laboratory, there’s certain elements in life you just are powerless over. Dante understands this. The Brain Gremlin shares this wisdom. Sometimes, you have to be like them: welcome the pandemonium, invest all your resources into canned food and shotguns and try not to view the world with undue solemnity.

It’s powerful existential guidance from a very unlikely source – and it’s why Gremlins 2: The New Batch will eternally stand as my go-to cinematic solace.

Matthew Preston
Matthew Preston

Lena Visser is an urban planner and writer passionate about the overlooked edges of cities, with a background in spatial design.