Marathon Viewing This Year's Christmas Films: Highlights, Lowlights, and Unexpected Delights.
‘Tis the time of year to lounge on the couch and demolish a tin of festive treats in front of a terrific flick, a poor film, or one that’s so bad it’s good.
Once again, a crop of new holiday movies strives to join part of our seasonal watchlist—maybe even finding a spot alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Thus, in a vital public service to separate the winners from the losers, and to embrace the festive feeling, I watched as many fresh Christmas films as possible in a single day.
First Up: The Jonas Brothers' Holiday Flick
Kicking off, ideally, on a high. This film is the sole 2025 movie on a well-known aggregator's list of the top 100 festive features of all time.
The popular band find themselves stuck in the UK after finishing their world tour and must return for Christmas. Their efforts are hindered by an evil Santa, who sings to declare they won’t get home until they “find their brotherly magic.”
The repartee between the bickering brothers is enjoyable even for the casual viewer, while followers will no doubt catch lots of references as they attempt to get back using any means of transport necessary.
It’s private planes, trains and automobiles.
It’s not legendary, but is superb for fans and a solid start to the day.
Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who must sit through it.
8.45am - Tinsel Town
Famous performer Kiefer Sutherland stars as a Hollywood star cast a traditional British stage show.
“A panto-what??” asks Sutherland’s “temperamental” and older lead Brad Mack, who has hit a rough patch and whose representative has tricked him into thinking he’s performing in renowned British drama.
His Aladdin fellow actors let him know he’s playing Buttons. “Absolutely not,” he retorts. One can imagine their response. That is, unless you’re not acquainted with traditional stage call-and-response.
There are some very funny lines, some cockle-warming storylines, and the rest of the cast is cracking, too.
It’s the type of film that would be a bit naff at any other time of year, but is a lot of fun at Christmas.
Holiday verdict: 🎄🎄🎄🎄
10.19am - Christmas Karma
A familiar face shows up at the beginning of this film, too, calling someone a mug for the next movie straight. Might this become a new Christmas tradition?
This time, he’s a crooning chauffeur who collects Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The familiar story develops as the tight-fisted Mr Sood is haunted by the apparitions of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This Indian Scrooge is at least unique from all the others, but unfortunately he’s not very captivating and Nayyar’s acting is wooden—a problem when he’s so the main character.
Festive score: 🎄🎄
Lunchtime: Stuffed
There’s time for a network's holiday special—which stars Guz Khan as a charmingly cantankerous character who “avoids Christmas.”
But after he is awarded an large festive windfall at work, his wife (played by Morgana Robinson) convinces him blowing the money on a family trip to Lapland.
There’s just one snag—he finds out there was an error with his bonus, which should have been £800, and he has to figure out how to return the remainder.
Enjoyable but forgettable.
Festive score: 🎄🎄
Early Afternoon: Champagne Problems
This is one of those Christmas films where the decorations and snow are in the backdrop—Christmas is the setting of the film rather than its core purpose—but it feels warm and holiday-like all the same.
Driven corporate star Sydney (starring Minka Kelly) is dispatched to a French chateau to negotiate a purchase for a champagne business. On the way, she encounters a guy in a literary haven who offers to show her Christmas in Paris.
An expert recently claimed this is the finest new Christmas film of the recent era. That’s a bit of a overstatement, but it is a festive dalliance with a hint of sophistication and gives the obligatory cozy feelings.
The scene with a lengthy discussion about Die Hard is very good too.
Holiday verdict: 🎄🎄🎄
3.29pm - Finding Father Christmas
Sixteen-year-old Chris, played by Lenny Rush, continues to believe in Father Christmas, in spite of the attempts of his dad (starring James Buckley) to tell him the truth.
The answer is out there, and Chris sets out to find it with the expert help of a team of well-known experts and celebrities.
It’s low-key but sweet, and perfect viewing while waiting for Santa to visit.
Holiday verdict: 🎄🎄🎄
Late Afternoon: Oh. What. Fun.
Michelle Pfeiffer is the head of a quarrelling American family who come back together for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s the concept, but in reality it’s really a mash-up of those inspirations, at least until Pfeiffer’s character finally comes into her own.
Festive score: 🎄🎄
Formulaic Fun
The day’s taken a dip, but happily here’s a new entry in the saturated market of predictable, sentimental, cheesy—and strangely compelling—seasonal comfort food.
It’s a story as old as time: An American woman goes on a quest to a picturesque cold country and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher